Daphnidis arcum
Fregisti et calamos: quae tu, perverse Menalea,
Et quum vidisti puero donata, dolebas;
Et si non aliqua nocuisses, mortuus esses.
 VIRG. EC. iii. 12.

  The bow of Daphnis and the shafts you broke;
When the fair boy receiv’d the gift of right;
And but for mischief, you had dy’d for spite. DRYDEN.

It is impossible to mingle in conversation without observing the difficulty with which a new name makes its way into the world. The first appearance of excellence unites multitudes against it; unexpected opposition rises up on every side; the celebrated and the obscure join in the confederacy; subtlety furnishes arms to impudence, and invention leads on credulity.

The strength and unanimity of this alliance is not easily conceived. It might be expected that no man should suffer his heart to be inflamed with malice, but by injuries; that none should busy himself in contesting the pretensions of another, but when some right of his own was involved in the question; that at least hostilities, commenced without cause, should quickly cease; that the armies of malignity should soon disperse, when no common interest could be found to hold them together; and that the attack upon a rising character should be left to those who had something to hope or fear from the event.

The hazards of those that aspire to eminence, would be much diminished if they had none but acknowledged rivals to encounter. Their enemies would then be few, and, what is yet of greater importance, would be known. But what caution is sufficient to ward off the blows of invisible assailants, or what force can stand against uninterrupted attacks, and a continual succession of enemies? Yet such is the state of the world, that no sooner can any man emerge from the crowd, and fix the eyes of the publick upon him, than he stands as a mark to the arrows of lurking calumny, and receives in the tumult of hostility, from distant and from nameless hands, wounds not always easy to be cured.

It is probable that the onset against the candidates for renown, is originally incited by those who imagine themselves in danger of suffering by their success; but, when war is once declared, volunteers flock to the standard, multitudes follow the camp only for want of employment, and flying squadrons are dispersed to every part, so pleased with an opportunity of mischief, that they toil without prospect of praise, and pillage without hope of profit.

When any man has endeavoured to deserve distinction, he will be surprised to hear himself censured where he could not expect to have been named; he will find the utmost acrimony of malice among those whom he never could have offended.

As there are to be found in the service of envy men of every diversity of temper and degree of understanding, calumny is diffused by all arts and methods of propagation. Nothing is too gross or too refined, too cruel or too trifling, to be practised; very little regard is had to the rules of honourable hostility, but every weapon is accounted lawful, and those that cannot make a thrust at life are content to keep themselves in play with petty malevolence, to tease with feeble blows and impotent disturbance.

But as the industry of observation has divided the most miscellaneous and confused assemblages into proper classes, and ranged the insects of the summer, that torment us with their drones or stings, by their several tribes; the persecutors of merit, notwithstanding their numbers, may be likewise commodiously distinguished into Roarers, Whisperers, and Moderators.

The Roarer is an enemy rather terrible than dangerous. He has no other qualification for a champion of controversy than a hardened front and strong voice. Having seldom so much desire to confute as to silence, he depends rather upon vociferation than argument, and has very little care to adjust one part of his accusation to another, to preserve decency in his language, or probability in his narratives.

He has always a store of reproachful epithets and contemptuous appellations, ready to be produced as occasion may require, which by constant use he pours out with resistless volubility. If the wealth of a trader is mentioned, he without hesitation devotes him to bankruptcy; if the beauty and elegance of a lady be commended, he wonders how the town can fall in love with rustick deformity; if a new performance of genius happens to be celebrated, he pronounces the writer a hopeless idiot, without knowledge of books or life, and without the understanding by which it must be acquired. His exaggerations are generally without effect upon those whom he compels to hear them; and though it will sometimes happen that the timorous are awed by his violence, and the credulous mistake his confidence for knowledge, yet the opinions which he endeavours to suppress soon recover their former strength, as the trees that bend to the tempest erect themselves again when its force is past.

The Whisperer is more dangerous. He easily gains attention by a soft address, and excites curiosity by an air of importance. As secrets are not to be made cheap by promiscuous publication, he calls a select audience about him, and gratifies their vanity with an appearance of trust by communicating his intelligence in a low voice. Of the trader he can tell that, though he seems to manage an extensive commerce, and talks in high terms of the funds, yet his wealth is not equal to his reputation; he has lately suffered much by an expensive project, and had a greater share than is acknowledged in the rich ship that perished by the storm. Of the beauty he has little to say, but that they who see her in a morning do not discover all those graces which are admired in the Park. Of the writer he affirms with great certainty, that though the excellence of the work be incontestible, he can claim but a small part of the reputation; that he owed most of the images and sentiments to a secret friend; and that the accuracy and equality of the style was produced by the successive correction of the chief criticks of the age.

As every one is pleased with imagining that he knows something not yet commonly divulged, secret history easily gains credit; but it is for the most part believed only while it circulates in whispers; and when once it is openly told, is openly confuted.

The most pernicious enemy is the man of Moderation. Without interest in the question, or any motive but honest curiosity, this impartial and zealous inquirer after truth is ready to hear either side, and always disposed to kind interpretations and favourable opinions. He hath heard the trader’s affairs reported with great variation, and, after a diligent comparison of the evidence, concludes it probable that the splendid superstructure of business being originally built upon a narrow basis, has lately been found to totter; but between dilatory payment and bankruptcy there is a great distance; many merchants have supported themselves by expedients for a time, without any final injury to their creditors; and what is lost by one adventure may be recovered by another. He believes that a young lady pleased with admiration, and desirous to make perfect what is already excellent, may heighten her charms by artificial improvements, but surely most of her beauties must be genuine, and who can say that he is wholly what he endeavours to appear? The author he knows to be a man of diligence, who perhaps does not sparkle with the fire of Homer, but has the judgment to discover his own deficiencies, and to supply them by the help of others; and, in his opinion, modesty is a quality so amiable and rare, that it ought to find a patron wherever it appears, and may justly be preferred by the publick suffrage to petulant wit and ostentatious literature.

He who thus discovers failings with unwillingness, and extenuates the faults which cannot be denied, puts an end at once to doubt or vindication; his hearers repose upon his candour and veracity, and admit the charge without allowing the excuse.

Such are the arts by which the envious, the idle, the peevish, and the thoughtless, obstruct that worth which they cannot equal, and, by artifices thus easy, sordid, and detestable, is industry defeated, beauty blasted, and genius depressed.